Monsoons in the form of rain, snow, or fog, a moment during the hydrological cycle, are often depicted as visitors that connect the sky with land with sea. The rain has different meanings across varying minds, geographical, cultural, economic, and political conditions. It unifies us through poetry, literature, visual mediums, and even typologies of built forms responding to the change in wetness and temperature by making gestures in the form of a sloped roof, plinth height, etc. At the same time, rain enhances stratification among the economically, culturally, geographically varying societies at some level, affecting lives and livelihood. For Instance in the movie “Parasite” directed by Bong Joon-ho, depicts a scene in which a sudden rain floods the home of an economically weak family living in poor dwelling conditions, which sees rain as an element of destruction, fear, and anxiety. In contrast, the same rain is treated as an element of joy, leisure, and blessing by an economically sound family living in much-advanced dwelling conditions. Therefore it forms a dual nature characteristic, which unifies and stratifies a place at the same time. In the duality between the monsoon as an element of joy compared to an aspect of destruction and fear, my inquiry would be more focused on the latter. Studying the lives and livelihoods who have been affected by the monsoons and at the same time, is an integral part of their life.